Music heavily influences the fear factor in slasher films, as it effectively increases the tension.
15-24 is the age range commonly targeted by slasher films, as it's considered the ages people are most interested in the features offered by slashers; explicit violence and sex. People of this age group can also be genre fans, and can be drawn in by intertextual references to other films. The secondary target audience includes both younger and older ages, including some in the 24-34 age range, as well as some aged 15 and below. But it's the 15-24 range that remains the most popular, making up around three quarters of the audience figures. Older adults are often useless authority figures, and a common character is a sheriff, usually the parent of one of the teen characters.
Halloween is an exception to Todorov's rule of equilibrium, as it ends with the state of disequalibrium maintained with the sequel continuing immediately on from the first film.
The false scare partially demonstrates hybridity as it usually creates comedy by causing the audience to laugh. The cat scare is a common example of a false scare, as is the backwards walk.
20th Century Fox and Warner Bros. are both examples of high-budget production companies, while an indie company such as Warp Films is low-budgeted.
The final girl, a term created by Carol Clover in her book 'Men, Women and Chainsaws', that suggests that viewers initially share the perspective of the killer, before shifting to the final girl towards the end of the film.
In the 50's and 60's, horror cinema was either Gothic or creature-features, involving monsters and other villains. Universal produced films such as 'King Kong' and 'Godzilla'. Hammer studios made films revolving around characters such as 'Dracula' and 'Frankenstein's monster'.
The main characters were mature adults, usually upper-class. It was the switch to working and middle-class, and younger characters in later horror/slasher films that marked a great change in how the films worked. These older films often look more theatrical and stagey, whereas later films featured a greater use of more 'realistic' settings.
Although a couple of the earliest slasher films, 'Psycho' and 'Peeping Tom' came out in 1960, fears over the violence in them led to the major studios to not dare releasing any imitators. It took the success of 'Halloween' and others a decade later for the sub-genre to really get going.
